Showing posts with label editor. Show all posts
Showing posts with label editor. Show all posts

Monday, 4 March 2013

Welcome to My Guest Author: Kamy Chetty

Today I welcome Author Kamy Chetty to my blog!   So over to Kamy...

 
Using Deep POV to step out of the Slush Pile

As a writer we get told a whole bunch of things that we have to stay true to, if we want to catch that editor’s/agent’s attention and not have to get picked up off the slush pile. Don’t get me wrong, many great writers have been picked up off that slush pile but we both know that it’s getting harder to get noticed.
Not too much back story or you slow the pace; your characters need to be believable; your reader needs to be invested in the story. You have to get the reader to have that emotional journey, and the most important one of them all, show, don’t tell. It’s impossible to remember all of this when you’re writing your story and to be honest, if you did, you’d drive yourself nuts and never get past page five. You’re sitting there thinking, this still isn’t telling me anything about deep POV, so here goes, I’m going to show you an e.g of how I used deep POV in getting published.

I wrote Falling into Paradise in three weeks but it took me a lot longer than that to edit the book. I couldn’t have done it without my wonderful editor, but there were a lot of things I learnt that helped. The concept of layering opened new doors to me and my writing started making sense which resulted in a stronger book.
Deep point of view is when you go into the character’s head and start writing from their POV, instead of the narrative. You might say what are the benefits? Think of it this way. By going into deep POV you can start writing actively and you can show things your character sees and does and that added layer gives your reader the key to your book and the characters.

E.g. when you meet Sophie you see a woman who dresses up in expensive suits with a flashy car, so you think rich doctor from a cultured background.
‘She looked down and wanted to say she felt more like the prostitute from down the road where she lived as a child than Catwoman, but it didn't seem appropriate to share that much information with a man she barely knew.’

Now that little thought Sophie shares with us tells us she didn’t grow up with a silver spoon stuck to her palate and that is a very important thread in the story. I could have used a few paragraphs to imply the same thing but saying that she grew up around a prostitute has a lot more punch and power than anything I as a writer could have narrated.
The other thing deep POV can do is give your book sass. Throughout the book I use deep POV to deepen the characters and their motivations and make it all real. It heightens the tension and makes the story flow.

I can go on about deep POV if you let me but I’d rather you ask questions and I am happy to answer them as best I can. Thanks for having me, it has been a real pleasure being here and I would be happy to answer any questions you might have about the book or about being a newly published author.

Cheers
Kamy
Kamy Chetty Around the Web:
 
 
 
 Blurb - Falling Into Paradise:
A woman too afraid to commit. A man too hurt to love again. A passion that refuses to be denied.

Sophie Redmond knew betrayal, she knew mistrust. She knew everything that was wrong with the world, until Damon Watson charmed his way into her life.

The rules she used to shield her heart were broken one by one, as Damon showed her compassion and kindness. When no one else believes in her, he shows her hope. But is hope ever enough?

Damon knew trouble when he saw it. He was the sheriff. He could spot it a mile away and Sophie was trouble with a capital T. What was it about this City Slicker doctor that made him want to forget everything but those whiskey brown eyes and that honey blonde hair spilled against his naked chest.

Can Damon put the past behind him and choose to love again?
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Monday, 19 November 2012

Welcome to My Guest Author: Laura O'Connell

Today I welcome Author Laura O'Connell to my blog!

So over to Laura...



GETTING AND SURVIVING CRITIQUES
by
Laura O'Connell

Criticism is scary, but it’s part of an author’s life. In order to receive good feedback from a review it’s important to choose a critic who is familiar with the genre in which you write. Separate your personal emotions from your professional role as a writer. It’s not you personally, they’re criticising, it’s your professional work. Keep that at the back of your mind and the reviewer’s negative comments will have less sting.
Before you hand your manuscript to a reviewer, communicate what you’re expecting from the critique.  Highlight areas you feel aren’t working and why you think they’re not working. This helps the reviewer to focus on those areas for you and it saves time for your critic and for you.

When you get a critique back from a reviewer, put your ego in your back pocket and sit on it. Receiving a review on your work can be harmful to the ego, but can be avoided if you look at it from the point of view that it’s going to make your writing better and increase the chances of getting an editor’s attention.
Remember always that there’s no such thing as perfect writing. Writing is an evolving process that grows organically into a living breathing piece of work that will excite and move your reader in a new and life changing way. None of us is perfect. What is perfect anyway?

When the critique comes back, skim over it quickly and try not to focus on the negative comments too much at this stage. Be aware of the positive feedback as you read and hang on to that. This is where your writing has worked. As you revise the work, you can add more of what’s working into the weaker writing.

After the first quick read-through, take time out to let the emotion that the skim read has evoked mix with your subconscious thoughts. I allow a couple of days for this part of the process. When you’re ready, come back and read the critique again. Then read the manuscript slowly so that you tap into your emotions as you read. Be aware of your physical reactions as well. If there’s a comment that gets your back up stronger than any other, highlight it. This section definitely needs looking at in more detail.

If you’re still not sure about the critique go back to my first statement. Getting a critique is scary, but looking at your work objectively will make it stronger, and much more publishable. A good critic helps you to understand yourself as a writer and where you fit in the publishing world. Watch for your ego, it likes to be out there, pull it back, be humble and continue to work toward your writing goals.
About Laura O'Connell:
Laura enjoys writing stories about second chances in love and life. She calls the Gold Coast home, however, her curious nature leads her on adventures to locations that surprise and delight her. Laura has a passion for telling a good story set in places where she has lived and travelled. Her first book, African Hearts, was shortlisted in the 2011 Caleb Prize.
Laura around the web:
Website
Facebook
Twitter
Author Page






Book Blurb - Web of Lies:

High school sweethearts, Stephanie and Lachlan are torn apart by circumstance, bad decisions and a web of lies, leaving an unknown future for their son, Ryan.
Eight years later they reconnect, but the time apart has changed them. The family had made decisions based on lies and deceit and now must find a way to either reveal the truth or find another option. On the surface, their arrangements seemed flawless, but dig deeper, and the people they thought they knew aren’t as they appear.

Lachlan and Stephanie are forced to confront the consequences of their actions and the entire family is compelled to reveal the truth, find forgiveness, and renew loving one another. But the hardest decision is still to come … where does Ryan live?



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